Une Vie (1883) and Bel-Ami (1885) seem almost diametrically opposed in tone and temper. The ‘Life’ of the first is poignantly restricted within a woman’s lot, while Bel-Ami is robustly masculine. Jea

Guy de Maupassant was a master of the short story. This collection displays his lively diversity, with tales that vary in theme and tone, ranging from tragedy and satire to comedy and farce. In a luc